The Junor Gallery specialises in contemporary Scottish and European fine art. The relationship between the visual and literary arts is a feature, as well as an accompanying programme of events and workshops with each exhibition.
Sarah Longley‘s solo show is a celebration of the collaborative work between artist daughter and poet father. Sarah’s exhibition opened with a poetry reading in the gallery by her father, Michael Longley, surrounded by his daughter’s artwork, a very special occasion. Sarah trained at Edinburgh College of Art where she graduated with First Class Honours in Drawing and Painting. She has exhibited widely in Ireland, the UK and France. Her work is held in public and private collections throughout Europe, including in the Crawford Municipal Gallery in Cork, Ireland. Sarah is based in Lochalsh in the Western Highlands of Scotland, surrounded by a landscape that inspires both her own art and her father’s poetry. We’re delighted to announce the exhibition’s run has been extended into July. I’ve received more of Sarah’s pen and ink drawings as well as oil on board paintings in her vibrant colours, so do drop in again before the exhibition ends on Saturday, 6th July.
Michael Longley is one of Northern Ireland’s foremost contemporary poets. He has published 12 poetry collections to date – Angel Hill was his eleventh collection and Ghetto is his most recent (2019). His collection Gorse Fires won the Whitbread Poetry Award. His poetry has won numerous awards, including the TS Eliot Prize, the Hawthornden Prize, the International Griffin Prize, the PEN Pinter Prize and the Wilfred Owen Award. He is the recipient of the Queen’s Gold Medal for poetry and in 2010 was appointed CBE. He was Ireland Professor of Poetry from 2007-2010. He is a fellow of the Royal Society of Literature. In 2015, he was made a Freeman of the City of Belfast. A selection of his prose writing, ‘Sidelines,’ was published in 2017 and features Sarah’s portrait of her father on its cover. His collection Angel Hill takes its title from the name of the hill behind Sarah Longley’s home in Lochalsh in the Western Highlands of Scotland. Sarah’s large scale charcoal works set on Angel Hill are two of the most admired pieces in the exhibition: The Snowdrops and the magnificent Snowdrops on Angel Hill.
The exhibition features Sarah’s artworks for Michael Longley’s poetry collections Sea Asters, The Dipper’s Range, Angel Hill and Ghetto (2019). His poem After Amergin inspired Sarah Longley’s marvellous large scale charcoal drawing that faces you as you enter the gallery. After Amergin is also available from the gallery in a limited edition broadsheet published by Andrew J Moorhouse Fine Press Poetry and is signed by both the artist and poet (order from our secure website or in person).
Alexander Moffat‘s ‘Scotland’s Voices,’ on tour throughout Scotland, continues to draw admiration from gallery visitors from throughout the world. It’s a great pleasure to learn from visitors about their connections with the people depicted. In its dignified portrayal of the cultural richness of Scotland’s travelling communities, the painting is not unrelated to the current exhibition. To now view ‘Scotland’s Voices’ in a new context, surrounded by Michael Longley’s Ghetto poetry collection and Sarah Longley’s large scale charcoal drawings and pen & ink illustrations for Ghetto is a moving experience. The celebratory dancers in ‘Scotland’s Voices’ upper left corner now face Sarah Longley’s portrait of Holocaust survivor and choreographer Helen Lewis. The German poet Heine, depicted in the upper right quadrant of ‘Scotland’s Voices’ is mentioned in Helen Lewis’s memoir, ‘A Time to Speak’ (copies available in the gallery). These three artists’ works come together in the gallery in defiance of the antisemitism and intolerance of anyone deemed to be ‘other’ that is increasing rapidly throughout Europe today. The gallery is teeming with the beauty of life and hope. I look forward to seeing you soon.
– Beth Junor, Gallery Director
Image: Self Portrait in Autumn, Sarah Longley, 2017 Oil on board 54 x 44cm £750.
Dominic Walmsley’s St Andrews collection of jewellery in gilt, silver and precious gems, exclusive to the Gallery, continues to draw praise for its unique design and craftsmanship. Pendants, cufflinks, and earrings inspired by Geddy’s map of St Andrews make the perfect graduation present or memento of your visit to St Andrews.
Unable to visit in person? To purchase an artwork or jewellery online, simply click on the ‘ARTWORKS’ tab to search, then on ‘VIEW’ to make your selection. Please don’t hesitate to call me to discuss any aspect of your purchase. We can arrange careful, insured shipment of your artwork world-wide.